And it got me thinking, "How could charities massively scale up the income from their IP through licensing?" No immediate thoughts yet, but it's an interesting problem to consider.ALEX: How big do you think this line of business could be.CHRIS: And in my mind it’s massive. Like in my mind it’s the thing that could turn Gimlet into a unicorn. And beyond because if you look at I mean there are many many many examples of multibillion dollar film and TV production companies and studios. There there aren’t any of the audio companies. And so I think you know there are precedents for this like you look at Marvel which was just a comic book company and you know it’s the same sort of model of originating characters and worlds and stories in a low-cost experimental format. Transitioning it to a higher investment higher return format.ALEX: In other words, transitioning this character — me — in this world — the low-cost podcast environment you’re listening to right now — to this higher return format.
Sunday, 9 July 2017
Thought: Comic books as a Minimum Viable Products for films
A recent episode of Start up mentioned some of the story/series based licensing deals Gimlet are doing - and my ears pricked up at the suggestion that Marvel had essentially used their comic books as a low cost test bed for their characters before turning them into films.
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